The town has an outlet

This request includes exactly one image. It is the literal starting frame for this shot, not a general design reference. Begin from its camera, lighting, subjects and object placement, then perform the complete action described in this request. Keep all visible designs stable while allowing the stated physical motion.

Create one continuous 16:9 photorealistic moving shot. Play the described action at natural speed over six seconds. If a longer clip is produced, sustain the scene naturally without adding an event. Use genuine object movement and depth-dependent parallax where requested. No internal cuts, dissolves, transitions, titles, narration or generated underscore. Maintain rigid objects, plausible contact and stable identities throughout.

Use photorealistic observational cinema, natural exposure and tactile material detail. Use rectilinear optics, soft highlight roll-off and very fine restrained grain. Preserve the difference between cool daylight, dry late sunlight and blue-black night; warm rooms have practical amber light. Give distant scenery atmospheric depth and keep foreground objects physically solid. People are comfortably dressed and absorbed in ordinary life. Architecture is personal and spacious. Avoid glossy resort advertising, decorative science-fiction clutter, excessive lens flare, fisheye distortion, posed glamour, captions, lettering, logos and borders.

This place occupies the inward-facing surface of a completed rotating space habitat: an open bracelet 3,000,000 kilometres in diameter, with a 6,000-kilometre-wide living strip and mostly transparent, sloped retaining walls 1,000 kilometres high at its lateral edges. A natural star far outside the bracelet provides daylight. The local landscape is almost flat, with extremely slight concavity along its length. Air, weather, water and vegetation are real. There is no roof, dome, central artificial sun, supporting spoke or planet inside the bracelet. Ordinary transport infrastructure is mostly concealed. Show no sky-band unless this composition explicitly asks for one.

Ternfall is a spacious canal town built into warm-grey sandstone with occasional ochre layers. A navigable upper basin receives an upstream canal beneath one low wooden pedestrian bridge. Along one bank are a broad stone quay, a vine pergola and a shared table. Low irregular houses and two slender open pavilions stand in groups separated by gardens and water. A physically separate controlled outflow at the basin's downstream side reaches a broad cliff waterfall and a forested lower valley. Navigation stays away from that outflow. Wooded foothills and a pale mountain shoulder extend beyond the settlement. Keep a legible watershed, generous gaps and local materials, without a continuous crowded skyline.

VISIBLE SUBJECTS
Only two distant lookout residents are visible.

SCENE AND ACTION
Afternoon from a broad stone lookout at the basin's separated outflow. The camera stands on firm ground. At left, the upper navigation basin contains three moored houseboats, low sandstone terraces, one wooden bridge and two open pavilions. At right, the waterfall drops beside the escarpment into a wooded valley, where its downstream river remains traceable. The lookout projects enough to reveal the fall obliquely without seeing through rock. Two residents farther along the parapet talk while looking over the water.

CAMERA AND MOTION
Human-height 35 mm-equivalent camera sliding sideways no more than half a metre along a safe broad parapet. Near stone changes perspective slightly; distant valley hardly moves. Keep upper basin at left and lower river at right. No floating camera over the lip. Sky and remote band are outside the frame.

LOCATION SOUND
Steady waterfall, wind in leaves and faint indistinct conversation. No musical impact.

Keep the scene continuous. Do not add an unrequested person, duplicate object, transformation or camera move.

Keep exposure, lighting and white balance stable over these six real-time seconds. No time-of-day transition or sudden brightening. Preserve every rigid design and visible identity from the supplied starting frame. No spoken words, articulated dialogue, narration or singing; any human background sound must be nonverbal and indistinct.