{
  "slug": "v22-attempt-02",
  "job_id": "V22",
  "attempt": 2,
  "title": "The repaired bag goes down",
  "kind": "video_clip",
  "status": "approved",
  "review_status": "approved",
  "current_selected": true,
  "historical": false,
  "path": "generated/video/candidates/V22_attempt_02.mp4",
  "sha256": "b55d4872e8512192b8d3e85b17240dc3e3d561b4d75362e7fc8eacf235910744",
  "prompt": "This request includes exactly one image. It is the literal starting frame for this shot, not a general design reference. Begin from its camera, lighting, subjects and object placement, then perform the complete action described in this request. Keep all visible designs stable while allowing the stated physical motion.\n\nCreate one continuous 16:9 photorealistic moving shot. Play the described action at natural speed over six seconds. If a longer clip is produced, sustain the scene naturally without adding an event. Use genuine object movement and depth-dependent parallax where requested. No internal cuts, dissolves, transitions, titles, narration or generated underscore. Maintain rigid objects, plausible contact and stable identities throughout.\n\nUse photorealistic observational cinema, natural exposure and tactile material detail. Use rectilinear optics, soft highlight roll-off and very fine restrained grain. Preserve the difference between cool daylight, dry late sunlight and blue-black night; warm rooms have practical amber light. Give distant scenery atmospheric depth and keep foreground objects physically solid. People are comfortably dressed and absorbed in ordinary life. Architecture is personal and spacious. Avoid glossy resort advertising, decorative science-fiction clutter, excessive lens flare, fisheye distortion, posed glamour, captions, lettering, logos and borders.\n\nThis place occupies the inward-facing surface of a completed rotating space habitat: an open bracelet 3,000,000 kilometres in diameter, with a 6,000-kilometre-wide living strip and mostly transparent, sloped retaining walls 1,000 kilometres high at its lateral edges. A natural star far outside the bracelet provides daylight. The local landscape is almost flat, with extremely slight concavity along its length. Air, weather, water and vegetation are real. There is no roof, dome, central artificial sun, supporting spoke or planet inside the bracelet. Ordinary transport infrastructure is mostly concealed. Show no sky-band unless this composition explicitly asks for one.\n\nThe waterfront house has weathered grey timber, pale stone and an open lower glazed dining wing. The long household table is outside on a stone terrace immediately in front of the open doors. A plain wooden bag bench is against the exterior wall just left of the doors. Warm light comes through one large kitchen window and the glazed wing, meeting cooler night light on the stone. The room visible through the doors contains books and mismatched ceramics. The table and bench are separate pieces of furniture, and the table is not inside the kitchen.\n\nAren is a woman around 35 years old, with light skin, an oval face, dark brown eyes behind slim rectangular dark teal-blue eyeglasses, a slender straight nose, defined lips and a slim build. Their dark-brown hair falls to the shoulders, parted near the centre and worn loose with a slight natural wave. Their face has softly contoured cheeks, a gently tapered jaw and a rounded chin, with natural skin texture appropriate to a woman in her mid-thirties. Preserve this female casting and age consistently in every view; do not age Aren into middle age or substitute a male traveller. They wear a loose blue-grey linen jacket, a narrow muted rust-red scarf, charcoal trousers and dark flat walking shoes. Their appearance is relaxed and unposed, with realistic proportions. Keep the facial proportions, shoulder-length dark-brown hair and rectangular glasses consistent across camera angles. Hair has no contrasting temple streak. Do not mirror the person or add jewellery, uniform elements or a spacesuit.\n\nThere is exactly one compact rust-coloured canvas shoulder bag, with a rounded flap, exactly one dull brass buckle and one oval cream repair patch low on its front. A plain canvas shoulder strap connects to the sides; a short top handle provides a handhold. The bag is lightly worn and carefully repaired. Its front details are physical fabric and hardware, with no logos, extra buckles, duplicate patches or ornamental distressing.\n\nVISIBLE SUBJECTS\nOnly Aren's hand, cuff and a small scarf edge appear; no other people.\n\nSCENE AND ACTION\nAt the exterior bench just left of a home's open glazed dining doors at night. A traveller lowers a compact rust canvas bag by its top handle onto the plain timber bench. The rounded flap, single brass buckle and oval cream patch are clear. Their light-skinned hand releases the handle and briefly rests on the bench. A blue-grey linen cuff and a sliver of rust scarf are visible; no face is in frame. Warm kitchen light meets cool exterior stone. Books and cups are visible inside; an edge of the separate outdoor dining table lies at frame right.\n\nCAMERA AND MOTION\nLocked 65 mm-equivalent camera at bench height with moderate depth of field. Complete the placement during the first four seconds, then let hand and bag rest. No duplicate fingers, hand passing through fabric, rack-focus flourish or glamour lighting. The sky is outside the frame.\n\nLOCATION SOUND\nCanvas on wood, one small brass-buckle sound and soft outdoor water. No human voices, speech or music.\n\nKeep the scene continuous. Do not add an unrequested person, duplicate object, transformation or camera move.\n\nPreserve exact visible identities and rigid geometry from the first frame. Keep exposure, lighting and time of day stable. No internal transitions or cuts. No intelligible dialogue, articulated speech, singing or musical underscore. Only the specified physical location sound. This is blue-black NIGHT, with dim cool outside light and practical amber house light. Do not brighten into day or change weather/time.",
  "model": "gemini-omni-1.1-flash",
  "settings": {
    "response_format": {
      "type": "video",
      "aspect_ratio": "16:9",
      "resolution": "720p",
      "delivery": "inline"
    },
    "generation_config": {
      "video_config": {
        "task": "image_to_video"
      }
    },
    "background": false,
    "store": false,
    "stream": false
  },
  "record_path": "generated/production_01/requests/V22_attempt_02_video_record.json",
  "inputs": [
    {
      "slot": 1,
      "asset_id": "K22",
      "path": "generated/keyframes/approved/K22.png",
      "role": "Literal initial image of this exact shot; first-frame conditioning only after the selected route is verified.",
      "sha256": "6b4a769b5258ee8ff230997e6d3c843fb61cc03ecbcb44e89c92ec0c4fadc206",
      "slug": "k22-attempt-01",
      "private": false,
      "matched_candidate_path": "generated/keyframes/candidates/K22_attempt_01.png",
      "association_basis": "Recorded SHA256 matched actual candidate file bytes",
      "current_source_file_hash_matches_record": true
    }
  ],
  "selected_for": [
    {
      "job_id": "V22",
      "title": "The repaired bag goes down",
      "path": "generated/video/approved/V22_revision_02.mp4",
      "status": "approved",
      "historical": false
    }
  ]
}