{
  "slug": "v21-attempt-02",
  "job_id": "V21",
  "attempt": 2,
  "title": "The journey stops",
  "kind": "video_clip",
  "status": "approved",
  "review_status": "approved",
  "current_selected": true,
  "historical": false,
  "path": "generated/video/candidates/V21_attempt_02.mp4",
  "sha256": "12c9cf7644bbfe57bc98442af665b35070f04b1affda4b084a23b2cf76b80e7d",
  "prompt": "This request includes exactly one image. It is the literal starting frame for this shot, not a general design reference. Begin from its camera, lighting, subjects and object placement, then perform the complete action described in this request. Keep all visible designs stable while allowing the stated physical motion.\n\nCreate one continuous 16:9 photorealistic moving shot. Play the described action at natural speed over six seconds. If a longer clip is produced, sustain the scene naturally without adding an event. Use genuine object movement and depth-dependent parallax where requested. No internal cuts, dissolves, transitions, titles, narration or generated underscore. Maintain rigid objects, plausible contact and stable identities throughout.\n\nUse photorealistic observational cinema, natural exposure and tactile material detail. Use rectilinear optics, soft highlight roll-off and very fine restrained grain. Preserve the difference between cool daylight, dry late sunlight and blue-black night; warm rooms have practical amber light. Give distant scenery atmospheric depth and keep foreground objects physically solid. People are comfortably dressed and absorbed in ordinary life. Architecture is personal and spacious. Avoid glossy resort advertising, decorative science-fiction clutter, excessive lens flare, fisheye distortion, posed glamour, captions, lettering, logos and borders.\n\nThis place occupies the inward-facing surface of a completed rotating space habitat: an open bracelet 3,000,000 kilometres in diameter, with a 6,000-kilometre-wide living strip and mostly transparent, sloped retaining walls 1,000 kilometres high at its lateral edges. A natural star far outside the bracelet provides daylight. The local landscape is almost flat, with extremely slight concavity along its length. Air, weather, water and vegetation are real. There is no roof, dome, central artificial sun, supporting spoke or planet inside the bracelet. Ordinary transport infrastructure is mostly concealed. Show no sky-band unless this composition explicitly asks for one.\n\nReedwater House stands on a low shelf beside a sheltered inlet. It is an asymmetrical two-storey home of weathered grey timber and pale stone, with two unequal dark-slate pitched roof sections. A tall narrow chimney stands on the right of its waterfront facade. One large kitchen window has a warm amber interior. A lower glazed dining wing adjoins the main building on its left and opens onto a stone terrace. A long timber dining table stands OUTSIDE on that terrace immediately in front of the open glazed doors. A plain wooden bag bench stands against the exterior wall just left of those doors. A forked, wind-bent tree stands farther left of the dining wing. From the water-facing approach, the house is in the right third and open water fills the centre and left. A short timber jetty projects diagonally from this shore toward the lower-left foreground. Beyond the open water lie two unequal headlands, a low hooked island between them and a distant ridge with one V-shaped notch. Keep the inlet physically continuous; the headlands and island do not surround the house as a decorative moat. Show only architectural features actually visible from the camera.\n\nThe household boat is one small dark-green open hull with a low grey-green gunwale and plain timber seating. Its movement is smooth and gentle without visible violent propulsion. Its current location is specified by the scene; never place a duplicate of this boat at the jetty.\n\nAren is a woman around 35 years old, with light skin, an oval face, dark brown eyes behind slim rectangular dark teal-blue eyeglasses, a slender straight nose, defined lips and a slim build. Their dark-brown hair falls to the shoulders, parted near the centre and worn loose with a slight natural wave. Their face has softly contoured cheeks, a gently tapered jaw and a rounded chin, with natural skin texture appropriate to a woman in her mid-thirties. Preserve this female casting and age consistently in every view; do not age Aren into middle age or substitute a male traveller. They wear a loose blue-grey linen jacket, a narrow muted rust-red scarf, charcoal trousers and dark flat walking shoes. Their appearance is relaxed and unposed, with realistic proportions. Keep the facial proportions, shoulder-length dark-brown hair and rectangular glasses consistent across camera angles. Hair has no contrasting temple streak. Do not mirror the person or add jewellery, uniform elements or a spacesuit.\n\nThere is exactly one compact rust-coloured canvas shoulder bag, with a rounded flap, exactly one dull brass buckle and one oval cream repair patch low on its front. A plain canvas shoulder strap connects to the sides; a short top handle provides a handhold. The bag is lightly worn and carefully repaired. Its front details are physical fabric and hardware, with no logos, extra buckles, duplicate patches or ornamental distressing.\n\nVISIBLE SUBJECTS\nOnly one hand, jacket cuff and clothed knee appear.\n\nSCENE AND ACTION\nInside a dark-green boat beside a wet timber jetty at night. The jetty's edge advances gently, then stops relative to the camera. The hull makes one small residual rock against a soft fender. A light-skinned hand rests on the grey-green gunwale and the repaired bag sits beside a charcoal-clothed knee. Beyond are a forked shore tree and the house's amber-lit glazed doorway. Water and leaves continue moving after forward motion stops. There is no crowd or elaborate rope handling.\n\nCAMERA AND MOTION\n50 mm-equivalent close-to-medium view at seated height. The camera stops advancing with the boat. Allow the single small residual rock, then keep the final two seconds nearly still except water and leaves. Crop the sky out completely. No independent camera push.\n\nLOCATION SOUND\nOne soft fender contact, water tapping timber, leaves and faint household room sound. No music.\n\nKeep the scene continuous. Do not add an unrequested person, duplicate object, transformation or camera move.\n\nPreserve exact visible identities and rigid geometry from the first frame. Keep exposure, lighting and time of day stable. No internal transitions or cuts. No intelligible dialogue, articulated speech, singing or musical underscore. Only the specified physical location sound. This is blue-black NIGHT, with dim cool outside light and practical amber house light. Do not brighten into day or change weather/time.",
  "model": "gemini-omni-1.1-flash",
  "settings": {
    "response_format": {
      "type": "video",
      "aspect_ratio": "16:9",
      "resolution": "720p",
      "delivery": "inline"
    },
    "generation_config": {
      "video_config": {
        "task": "image_to_video"
      }
    },
    "background": false,
    "store": false,
    "stream": false
  },
  "record_path": "generated/production_01/requests/V21_attempt_02_video_record.json",
  "inputs": [
    {
      "slot": 1,
      "asset_id": "K21",
      "path": "generated/keyframes/approved/K21_scene_v2.png",
      "role": "Literal initial image of this exact shot; first-frame conditioning only after the selected route is verified.",
      "sha256": "c993f518d7368c07d3cf74b50cdb85556dab4a0d0adde51a95d4dad799f212fe",
      "slug": "k21-attempt-02",
      "private": false,
      "matched_candidate_path": "generated/keyframes/candidates/K21_attempt_02.png",
      "association_basis": "Recorded SHA256 matched actual candidate file bytes",
      "current_source_file_hash_matches_record": true
    }
  ],
  "selected_for": [
    {
      "job_id": "V21",
      "title": "The journey stops",
      "path": "generated/video/approved/V21_revision_02.mp4",
      "status": "approved",
      "historical": false
    }
  ]
}