{
  "slug": "v09-attempt-01",
  "job_id": "V09",
  "attempt": 1,
  "title": "The sand artist",
  "kind": "video_clip",
  "status": "awaiting_review",
  "review_status": "awaiting_review",
  "current_selected": false,
  "historical": false,
  "path": "generated/video/candidates/V09_attempt_01.mp4",
  "sha256": "72224c372a58b0eb4744272cde226153fabc216c3796ab3661c6f2f62066bbf7",
  "prompt": "This request includes exactly one image. It is the literal starting frame for this shot, not a general design reference. Begin from its camera, lighting, subjects and object placement, then perform the complete action described in this request. Keep all visible designs stable while allowing the stated physical motion.\n\nCreate one continuous 16:9 photorealistic moving shot. Play the described action at natural speed over six seconds. If a longer clip is produced, sustain the scene naturally without adding an event. Use genuine object movement and depth-dependent parallax where requested. No internal cuts, dissolves, transitions, titles, narration or generated underscore. Maintain rigid objects, plausible contact and stable identities throughout.\n\nUse photorealistic observational cinema, natural exposure and tactile material detail. Use rectilinear optics, soft highlight roll-off and very fine restrained grain. Preserve the difference between cool daylight, dry late sunlight and blue-black night; warm rooms have practical amber light. Give distant scenery atmospheric depth and keep foreground objects physically solid. People are comfortably dressed and absorbed in ordinary life. Architecture is personal and spacious. Avoid glossy resort advertising, decorative science-fiction clutter, excessive lens flare, fisheye distortion, posed glamour, captions, lettering, logos and borders.\n\nThis place occupies the inward-facing surface of a completed rotating space habitat: an open bracelet 3,000,000 kilometres in diameter, with a 6,000-kilometre-wide living strip and mostly transparent, sloped retaining walls 1,000 kilometres high at its lateral edges. A natural star far outside the bracelet provides daylight. The local landscape is almost flat, with extremely slight concavity along its length. Air, weather, water and vegetation are real. There is no roof, dome, central artificial sun, supporting spoke or planet inside the bracelet. Ordinary transport infrastructure is mostly concealed. Show no sky-band unless this composition explicitly asks for one.\n\nThe desert artist is an independent machine citizen: a pale ceramic shell about 45 centimetres across, with one asymmetrical dark seam, no face, no rotors and no limbs. Its sandstone outcrop contains a dry-sand artwork: a small visible solar collector powers a lifting screw feeding polished channels, two shallow basins and one fine granular fall. A small gate can divert one stream between the basins. The machine manipulates that gate with an invisible local field; the gate moves without an invented arm or visible magic beam. Sand is dry granular material, with no liquid meniscus, glowing particles or water splash. The outcrop overlooks an immense pale salt desert.\n\nAren is an adult with light skin, an oval face, dark brown eyes behind slim rectangular dark teal-blue eyeglasses, a slender straight nose, defined lips and a slim build. Their dark-brown hair falls to the shoulders, parted near the centre and worn loose with a slight natural wave. Their facial features and natural proportions are specific and understated. They wear a loose blue-grey linen jacket, a narrow muted rust-red scarf, charcoal trousers and dark flat walking shoes. Their appearance is relaxed and unposed, with realistic proportions. Keep the facial proportions, shoulder-length dark-brown hair and rectangular glasses consistent across camera angles. Hair has no contrasting temple streak. Do not mirror the person or add jewellery, uniform elements or a spacesuit.\n\nThere is exactly one compact rust-coloured canvas shoulder bag, with a rounded flap, exactly one dull brass buckle and one oval cream repair patch low on its front. A plain canvas shoulder strap connects to the sides; a short top handle provides a handhold. The bag is lightly worn and carefully repaired. Its front details are physical fabric and hardware, with no logos, extra buckles, duplicate patches or ornamental distressing.\n\nVISIBLE SUBJECTS\nShow Aren and exactly one pale ceramic artist; no other people or machines.\n\nSCENE AND ACTION\nOn a sandstone outcrop above a salt desert at the end of the afternoon, a pale ceramic machine citizen hovers beside its dry-sand artwork. Aren stands in partial profile at one side with the repaired bag at the hip, watching. The artist moves one small gate with an invisible field. A fine stream of sand redirects into the adjacent shallow basin. The lifting screw continues slowly. Keep the event small and understandable, with the two basins and gate clearly visible. The artist and visitor attend to the artwork as equals.\n\nCAMERA AND MOTION\nLocked 50 mm-equivalent three-quarter view at human eye height. Warm low sunlight grazes carved channels; the desert is softly distant. Keep granular sand readable and the machine shell rigid. No camera movement, visible force beam or invented arm. The sky-band is outside this low-sky composition.\n\nLOCATION SOUND\nA delicate granular hiss, a small gate tick and open desert wind. No robot voice or music.\n\nKeep the scene continuous. Do not add an unrequested person, duplicate object, transformation or camera move.\n\nKeep exposure, lighting and white balance stable over these six real-time seconds. No time-of-day transition or sudden brightening. Preserve every rigid design and visible identity from the supplied starting frame. No spoken words, articulated dialogue, narration or singing; any human background sound must be nonverbal and indistinct. The machine citizen is only the smooth shell already visible. Do not add a head, torso, eyes, mouth, arms, hands, legs, wheels, rotors or serving equipment. Its independent small movement must not change its body. Aren watches without touching the controls. Only the small routing gate moves by an invisible field, diverting one sand stream; no visible energy beam and no human or robot hand operates it.",
  "model": "gemini-omni-1.1-flash",
  "settings": {
    "response_format": {
      "type": "video",
      "aspect_ratio": "16:9",
      "resolution": "720p",
      "delivery": "inline"
    },
    "generation_config": {
      "video_config": {
        "task": "image_to_video"
      }
    },
    "background": false,
    "store": false,
    "stream": false
  },
  "record_path": "generated/production_01/requests/V09_attempt_01_video_record.json",
  "inputs": [
    {
      "slot": 1,
      "asset_id": "K09",
      "path": "generated/keyframes/approved/K09.png",
      "role": "Literal initial image of this exact shot; first-frame conditioning only after the selected route is verified.",
      "sha256": "10e0e78bf3ec4f640e9f460b1e28280e7587357e9e7dc500d2c31215834ca22b",
      "slug": "k09-attempt-01",
      "private": false,
      "matched_candidate_path": "generated/keyframes/candidates/K09_attempt_01.png",
      "association_basis": "Recorded SHA256 matched actual candidate file bytes",
      "current_source_file_hash_matches_record": true
    }
  ],
  "selected_for": []
}