{
  "slug": "v07-attempt-02",
  "job_id": "V07",
  "attempt": 2,
  "title": "A reason to take the slow route",
  "kind": "video_clip",
  "status": "rejected_by_user",
  "review_status": "rejected_by_user",
  "current_selected": false,
  "historical": false,
  "path": "generated/video/candidates/V07_attempt_02.mp4",
  "sha256": "d8f5a9fc423e842c0810b8d45db2e2ab95f1828e4ebcd86a15a9c070513e722e",
  "prompt": "This request includes exactly one image. It is the literal starting frame for this shot, not a general design reference. Begin from its camera, lighting, subjects and object placement, then perform the complete action described in this request. Keep all visible designs stable while allowing the stated physical motion.\n\nCreate one continuous 16:9 photorealistic moving shot. Play the described action at natural speed over six seconds. If a longer clip is produced, sustain the scene naturally without adding an event. Use genuine object movement and depth-dependent parallax where requested. No internal cuts, dissolves, transitions, titles, narration or generated underscore. Maintain rigid objects, plausible contact and stable identities throughout.\n\nUse photorealistic observational cinema, natural exposure and tactile material detail. Use rectilinear optics, soft highlight roll-off and very fine restrained grain. Preserve the difference between cool daylight, dry late sunlight and blue-black night; warm rooms have practical amber light. Give distant scenery atmospheric depth and keep foreground objects physically solid. People are comfortably dressed and absorbed in ordinary life. Architecture is personal and spacious. Avoid glossy resort advertising, decorative science-fiction clutter, excessive lens flare, fisheye distortion, posed glamour, captions, lettering, logos and borders.\n\nThis place occupies the inward-facing surface of a completed rotating space habitat: an open bracelet 3,000,000 kilometres in diameter, with a 6,000-kilometre-wide living strip and mostly transparent, sloped retaining walls 1,000 kilometres high at its lateral edges. A natural star far outside the bracelet provides daylight. The local landscape is almost flat, with extremely slight concavity along its length. Air, weather, water and vegetation are real. There is no roof, dome, central artificial sun, supporting spoke or planet inside the bracelet. Ordinary transport infrastructure is mostly concealed. Show no sky-band unless this composition explicitly asks for one.\n\nThe wind-driven cable carriage is a six-person cabin of honey-coloured wood, clear glazing and maintained dull brass, with a leather bench and a painted ceiling. A wheeled trolley physically contacts one continuous load-bearing overhead cable. Visible hangers connect the trolley to the cabin roof. A slender mast is offset to the cabin's left, clear of the trolley and cable; a triangular cream sail is attached to the mast with real ropes. The sail can pull the trolley along the line. Forty-metre pylons support the route across dry ochre sandstone badlands with branching gullies and a pale salt pan. The sail, loose fabric and grasses respond to one coherent crosswind. The cable never detaches, passes through the mast or changes into a rope hanging the vehicle from the sky. There is no balloon, steam engine, propeller or ornamental gearwork.\n\nAren is a woman around 35 years old, with light skin, an oval face, dark brown eyes behind slim rectangular dark teal-blue eyeglasses, a slender straight nose, defined lips and a slim build. Their dark-brown hair falls to the shoulders, parted near the centre and worn loose with a slight natural wave. Their face has softly contoured cheeks, a gently tapered jaw and a rounded chin, with natural skin texture appropriate to a woman in her mid-thirties. Preserve this female casting and age consistently in every view; do not age Aren into middle age or substitute a male traveller. They wear a loose blue-grey linen jacket, a narrow muted rust-red scarf, charcoal trousers and dark flat walking shoes. Their appearance is relaxed and unposed, with realistic proportions. Keep the facial proportions, shoulder-length dark-brown hair and rectangular glasses consistent across camera angles. Hair has no contrasting temple streak. Do not mirror the person or add jewellery, uniform elements or a spacesuit.\n\nThere is exactly one compact rust-coloured canvas shoulder bag, with a rounded flap, exactly one dull brass buckle and one oval cream repair patch low on its front. A plain canvas shoulder strap connects to the sides; a short top handle provides a handhold. The bag is lightly worn and carefully repaired. Its front details are physical fabric and hardware, with no logos, extra buckles, duplicate patches or ornamental distressing.\n\nVISIBLE SUBJECTS\nOnly Aren's sleeve and a small light-skinned hand may be seen through the window; no full person outside the cabin.\n\nSCENE AND ACTION\nLate afternoon at a fixed boarding platform above dry sandstone badlands. The entire wood-and-glass cable carriage, its trolley and its offset cream sail are visible in three-quarter view. Through an open side window, a blue-grey jacket sleeve rests on the wooden sill; the repaired canvas bag sits on the leather bench. The sail fills once in a crosswind and the trolley begins to roll gently away along its cable. Nearby grass leans coherently with the sail. The vehicle stays physically attached throughout.\n\nCAMERA AND MOTION\nLocked 28 mm-equivalent camera on the platform, far enough away to see the external trolley without looking through the roof. The carriage withdraws a short distance into the frame. Small pendulum sway affects the cabin, not the stationary camera. Do not traverse a pylon in close-up. No visible sky-band in the late-day haze.\n\nLOCATION SOUND\nOne timber creak, cream sailcloth filling, light wheel contact on cable and dry wind. No engine, train rhythm or music.\n\nKeep the scene continuous. Do not add an unrequested person, duplicate object, transformation or camera move.\n\nPreserve exact visible identities and rigid geometry from the first frame. Keep exposure, lighting and time of day stable. No internal transitions or cuts. No intelligible dialogue, articulated speech, singing or musical underscore. Only the specified physical location sound. The passenger remains mostly hidden behind the cabin panels and jambs exactly as in the supplied frame. Do not reveal a face, hand, wrist or arm. No limbs float independently. Keep the sleeve fragment attached to the hidden seated torso. The mast is fixed to the cabin and travels with it; all suspension contacts stay connected.",
  "model": "gemini-omni-1.1-flash",
  "settings": {
    "response_format": {
      "type": "video",
      "aspect_ratio": "16:9",
      "resolution": "720p",
      "delivery": "inline"
    },
    "generation_config": {
      "video_config": {
        "task": "image_to_video"
      }
    },
    "background": false,
    "store": false,
    "stream": false
  },
  "record_path": "generated/production_01/requests/V07_attempt_02_video_record.json",
  "inputs": [
    {
      "slot": 1,
      "asset_id": "K07",
      "path": "generated/keyframes/approved/K07_anatomy_v2.png",
      "role": "Literal initial image of this exact shot; first-frame conditioning only after the selected route is verified.",
      "sha256": "8a8b88490990129a3016289047dc85e0415644b670e5dcd92fff5499d7df1ace",
      "slug": "k07-attempt-02",
      "private": false,
      "matched_candidate_path": "generated/keyframes/candidates/K07_attempt_02.png",
      "association_basis": "Recorded SHA256 matched actual candidate file bytes",
      "current_source_file_hash_matches_record": true
    }
  ],
  "selected_for": []
}