{
  "slug": "s18-attempt-01",
  "job_id": "S18",
  "attempt": 1,
  "title": "The table beneath the long sky",
  "kind": "slide_image",
  "status": "HISTORICAL",
  "review_status": "rejected",
  "current_selected": false,
  "historical": true,
  "path": "generated/stills/candidates/S18_attempt_01.png",
  "sha256": "52984e38a8a0ef1eb6b312fee3e7d3ea89c0e3f09aeb32e64bc30e335dc58abf",
  "prompt": "This request includes exactly 3 design-reference images. Each image has a restricted role. Use the stated image content only for that role. Create a new composition from the complete scene description; do not reproduce the reference viewpoint or time of day unless the scene independently specifies it.\n\nThe first supplied image shows reedwater household and exterior table. Household ensemble and exterior terrace arrangement; transfer outdoor table position, bench left of doors, clothing distribution, silver-grey machine and the facial identities depicted in the image. Do not copy all diners into tighter scenes or duplicate Aren. Scene text controls whether Aren is standing, seated or out of view.\n\nThe second supplied image shows reedwater house and inlet. Architecture and local geography only; transfer facade proportions, material, roof silhouette, exterior terrace layout, forked tree, jetty and shoreline. Scene text controls lighting, viewpoint and whether the boat is at its mooring.\n\nThe third supplied image shows aren with repaired bag. Traveller identity and clothing; transfer face, shoulder-length dark-brown hair, rectangular dark teal-blue eyeglasses, body proportions, jacket, scarf, trousers and shoes. The image also establishes the bag design. Do not transfer the portrait pose or background.\n\nThe text specifies current object locations, visible people, lighting and camera. The image references specify identity, design and material within those instructions. Do not introduce objects or people merely because they appear in a reference.\n\nCreate exactly one high-detail 3:2 landscape photograph. Render a single coherent moment, with realistic material detail and crisp water and foliage appropriate to a still exposure. Keep usable image content around the subjects. Do not make a storyboard, contact sheet, split screen, motion-blurred simulation, crop guide, label or diagram. Any normalized positions specify composition within the full image, with x increasing rightward and y downward; do not render those numbers.\n\nUse photorealistic observational cinema, natural exposure and tactile material detail. Use rectilinear optics, soft highlight roll-off and very fine restrained grain. Preserve the difference between cool daylight, dry late sunlight and blue-black night; warm rooms have practical amber light. Give distant scenery atmospheric depth and keep foreground objects physically solid. People are comfortably dressed and absorbed in ordinary life. Architecture is personal and spacious. Avoid glossy resort advertising, decorative science-fiction clutter, excessive lens flare, fisheye distortion, posed glamour, captions, lettering, logos and borders.\n\nThis place occupies the inward-facing surface of a completed rotating space habitat: an open bracelet 3,000,000 kilometres in diameter, with a 6,000-kilometre-wide living strip and mostly transparent, sloped retaining walls 1,000 kilometres high at its lateral edges. A natural star far outside the bracelet provides daylight. The local landscape is almost flat, with extremely slight concavity along its length. Air, weather, water and vegetation are real. There is no roof, dome, central artificial sun, supporting spoke or planet inside the bracelet. Ordinary transport infrastructure is mostly concealed. Show no sky-band unless this composition explicitly asks for one.\n\nReedwater House stands on a low shelf beside a sheltered inlet. It is an asymmetrical two-storey home of weathered grey timber and pale stone, with two unequal dark-slate pitched roof sections. A tall narrow chimney stands on the right of its waterfront facade. One large kitchen window has a warm amber interior. A lower glazed dining wing adjoins the main building on its left and opens onto a stone terrace. A long timber dining table stands OUTSIDE on that terrace immediately in front of the open glazed doors. A plain wooden bag bench stands against the exterior wall just left of those doors. A forked, wind-bent tree stands farther left of the dining wing. From the water-facing approach, the house is in the right third and open water fills the centre and left. A short timber jetty projects diagonally from this shore toward the lower-left foreground. Beyond the open water lie two unequal headlands, a low hooked island between them and a distant ridge with one V-shaped notch. Keep the inlet physically continuous; the headlands and island do not surround the house as a decorative moat. Show only architectural features actually visible from the camera.\n\nThe household boat is one small dark-green open hull with a low grey-green gunwale and plain timber seating. Its movement is smooth and gentle without visible violent propulsion. Its current location is specified by the scene; never place a duplicate of this boat at the jetty.\n\nAren is an adult with light skin, an oval face, dark brown eyes behind slim rectangular dark teal-blue eyeglasses, a slender straight nose, defined lips and a slim build. Their dark-brown hair falls to the shoulders, parted near the centre and worn loose with a slight natural wave. Their facial features and natural proportions are specific and understated. They wear a loose blue-grey linen jacket, a narrow muted rust-red scarf, charcoal trousers and dark flat walking shoes. Their appearance is relaxed and unposed, with realistic proportions. Keep the facial proportions, shoulder-length dark-brown hair and rectangular glasses consistent across camera angles. Hair has no contrasting temple streak. Do not mirror the person or add jewellery, uniform elements or a spacesuit.\n\nThere is exactly one compact rust-coloured canvas shoulder bag, with a rounded flap, exactly one dull brass buckle and one oval cream repair patch low on its front. A plain canvas shoulder strap connects to the sides; a short top handle provides a handhold. The bag is lightly worn and carefully repaired. Its front details are physical fabric and hardware, with no logos, extra buckles, duplicate patches or ornamental distressing.\n\nTavi is an adult with deep brown skin and silver hair in one long loose braid, wearing a moss-green overshirt and dark trousers. Their expression is warm and informal. They are a member of the household, dressed for an ordinary evening, without a uniform or ceremonial costume.\n\nThe gathering contains six adults in total, one school-age child and one machine citizen. Two adults are Aren and Tavi. The four additional adults wear, respectively, an ochre knitted top, a pale-indigo shirt, a muted plum jacket and a light-grey tunic. Keep those four faces small and unposed. The child has short dark curls and a muted teal top. The machine citizen is a small silver-grey lens-shaped body about 30 centimetres long, hovering at conversational height beside an open place. It has a smooth unmarked shell, no face or rotors, and attends to the conversation without carrying food or luggage. Comfortable chairs and mismatched stoneware convey a shared household rather than commercial hospitality.\n\nThis camera is level, unrolled and aimed approximately anti-spinward along the ring circumference, close to the strip's mid-width plane. In this rectilinear view the centreline of the distant illuminated habitat projects nearly vertically in the sky, rising from the distant notched-ridge direction near the middle of the frame and continuing out of the top edge. The zenith lies outside this landscape image. Show an extremely narrow silver-blue ribbon that tapers with distance, with lower sections lost in haze and nearer cloud occluding it. It belongs to the continuous ground-bearing ring under the observer. There is no separate hoop above a planet. Do not resolve continents or buildings in the sky-band. Do not draw a rainbow arch, horizontal Saturn-like belt, wide road across the sky, glowing portal, artificial sun or supporting spokes. Preserve believable night exposure; the house light remains more prominent than the ribbon.\n\nVISIBLE SUBJECTS\nSix adults including Aren and Tavi, one child and one silver-grey machine, partially occluded naturally.\n\nPHOTOGRAPH\nA human-height 28 mm-equivalent night photograph near a jetty, looking toward a timber-and-stone home in the right third. Its unequal slate roofs, narrow chimney, amber kitchen window and lower glazed dining wing are visible. The forked tree stands to its left, and inlet water opens across centre-left toward a notched ridge. At the outdoor table near x=0.69, y=0.58, Aren, Tavi, four other adults, one child and a small silver-grey machine citizen share an evening. Aren is in partial back view; a stoneware bowl rests between two diners' hands in a single natural moment. The bag remains on the exterior bench left of the doors. One green boat is moored left of the jetty. Sharp ripples break the warm reflection. Blue-black sky occupies the upper portion, with a faint extremely narrow almost vertical ribbon. Keep the gathering small within its landscape. No glowing plants, oversized stars or theatrical lighting.\n\nRender only the stated moment. Preserve a single internally consistent perspective and natural proportions.",
  "model": "gpt-image-2",
  "settings": {
    "size": "3072x2048",
    "quality": "high",
    "n": 1,
    "output_format": "png"
  },
  "record_path": "generated/production_01/requests/S18_attempt_01.json",
  "inputs": [
    {
      "slot": 1,
      "asset_id": "R12",
      "path": "generated/references/approved/R12.png",
      "role": "Household ensemble and exterior terrace arrangement; transfer outdoor table position, bench left of doors, clothing distribution, silver-grey machine and the facial identities depicted in the image. Do not copy all diners into tighter scenes or duplicate Aren. Scene text controls whether Aren is standing, seated or out of view.",
      "sha256": "bbb43754bde5cac216c4b7e314da2cc96cec4ad804d7166a6a244632c4c53b10",
      "slug": "r12-attempt-02",
      "private": false,
      "matched_candidate_path": "generated/references/candidates/R12_attempt_02.png",
      "association_basis": "Recorded SHA256 matched actual candidate file bytes",
      "current_source_file_hash_matches_record": true
    },
    {
      "slot": 2,
      "asset_id": "R01",
      "path": "generated/references/approved/R01.png",
      "role": "Architecture and local geography only; transfer facade proportions, material, roof silhouette, exterior terrace layout, forked tree, jetty and shoreline. Scene text controls lighting, viewpoint and whether the boat is at its mooring.",
      "sha256": "5e718dfa295d1735ee006484ada665dfb29d50879adc406e9f2aecb1fdb4e16c",
      "slug": "r01-attempt-04",
      "private": false,
      "matched_candidate_path": "generated/references/candidates/R01_attempt_04.png",
      "association_basis": "Recorded SHA256 matched actual candidate file bytes",
      "current_source_file_hash_matches_record": true
    },
    {
      "slot": 3,
      "asset_id": "R02",
      "path": "generated/references/approved/R02.png",
      "role": "Traveller identity and clothing; transfer face, shoulder-length dark-brown hair, rectangular dark teal-blue eyeglasses, body proportions, jacket, scarf, trousers and shoes. The image also establishes the bag design. Do not transfer the portrait pose or background.",
      "sha256": "7b0b384d2fb6d6a7f984a0e509dcaeb914cdf05fc1cebf91312041f50f94ad6c",
      "slug": "r02-attempt-03",
      "private": false,
      "matched_candidate_path": "generated/references/candidates/R02_attempt_03.png",
      "association_basis": "Recorded SHA256 matched actual candidate file bytes",
      "current_source_file_hash_matches_record": true
    }
  ],
  "selected_for": []
}