{
  "slug": "k09-attempt-02",
  "job_id": "K09",
  "attempt": 2,
  "title": "The sand artist initial moment",
  "kind": "start_frame_image",
  "status": "approved",
  "review_status": "approved",
  "current_selected": true,
  "historical": false,
  "path": "generated/keyframes/candidates/K09_attempt_02.png",
  "sha256": "b86474966e51826833461b6c158c7ac0ec02a313e31c6910145911d5cccfda77",
  "prompt": "This request includes exactly 2 design-reference images. Each image has a restricted role. Use the stated image content only for that role. Create a new composition from the complete scene description; do not reproduce the reference viewpoint or time of day unless the scene independently specifies it.\n\nThe first supplied image shows sand artist and artwork. Desert sculptor and artwork design; transfer pale ceramic shell, dark seam, solar collector, screw, channels, two basins and routing gate. The scene text determines the gate state and whether Aren is present.\n\nThe second supplied image shows aren with repaired bag. Traveller identity and clothing; transfer face, shoulder-length dark-brown hair, rectangular dark teal-blue eyeglasses, body proportions, jacket, scarf, trousers and shoes. The image also establishes the bag design. Do not transfer the portrait pose or background.\n\nThe text specifies current object locations, visible people, lighting and camera. The image references specify identity, design and material within those instructions. Do not introduce objects or people merely because they appear in a reference.\n\nCreate exactly one high-detail 16:9 landscape photograph of the initial moment described here. Depict one instant, without an action sequence, storyboard, split screen, motion trails, labels or diagrams. Preserve a natural cinematic composition with realistic materials and physically clear object placement.\n\nUse photorealistic observational cinema, natural exposure and tactile material detail. Use rectilinear optics, soft highlight roll-off and very fine restrained grain. Preserve the difference between cool daylight, dry late sunlight and blue-black night; warm rooms have practical amber light. Give distant scenery atmospheric depth and keep foreground objects physically solid. People are comfortably dressed and absorbed in ordinary life. Architecture is personal and spacious. Avoid glossy resort advertising, decorative science-fiction clutter, excessive lens flare, fisheye distortion, posed glamour, captions, lettering, logos and borders.\n\nThis place occupies the inward-facing surface of a completed rotating space habitat: an open bracelet 3,000,000 kilometres in diameter, with a 6,000-kilometre-wide living strip and mostly transparent, sloped retaining walls 1,000 kilometres high at its lateral edges. A natural star far outside the bracelet provides daylight. The local landscape is almost flat, with extremely slight concavity along its length. Air, weather, water and vegetation are real. There is no roof, dome, central artificial sun, supporting spoke or planet inside the bracelet. Ordinary transport infrastructure is mostly concealed. Show no sky-band unless this composition explicitly asks for one.\n\nThe desert artist is an independent machine citizen: a pale ceramic shell about 45 centimetres across, with one asymmetrical dark seam, no face, no rotors and no limbs. Its sandstone outcrop contains an asymmetrical dry-sand artwork. At the far left, a small visible solar collector powers a short upright lifting screw feeding a compact elevated hopper. From the hopper, narrow polished channels bend across the stone in an offset branching layout. They lead to exactly two unequal shallow angular basins: a long trapezoidal basin in the near-left part of the artwork and a smaller irregular quadrilateral basin farther back on the right. The basins are separated by a generous expanse of uncarved stone; they do not touch or form a side-by-side pair. Neither basin is circular or oval. The short side-mounted screw does not point between the basins or run along their centreline. A small gate at a channel junction diverts one dry granular stream between the basins, with one fine fall active at a time. The machine manipulates the gate with an invisible local field; the gate moves without an invented arm or visible magic beam. Sand is dry granular material, with no liquid meniscus, glowing particles or water splash. The outcrop overlooks an immense pale salt desert.\n\nAren is a woman around 35 years old, with light skin, an oval face, dark brown eyes behind slim rectangular dark teal-blue eyeglasses, a slender straight nose, defined lips and a slim build. Their dark-brown hair falls to the shoulders, parted near the centre and worn loose with a slight natural wave. Their face has softly contoured cheeks, a gently tapered jaw and a rounded chin, with natural skin texture appropriate to a woman in her mid-thirties. Preserve this female casting and age consistently in every view; do not age Aren into middle age or substitute a male traveller. They wear a loose blue-grey linen jacket, a narrow muted rust-red scarf, charcoal trousers and dark flat walking shoes. Their appearance is relaxed and unposed, with realistic proportions. Keep the facial proportions, shoulder-length dark-brown hair and rectangular glasses consistent across camera angles. Hair has no contrasting temple streak. Do not mirror the person or add jewellery, uniform elements or a spacesuit.\n\nThere is exactly one compact rust-coloured canvas shoulder bag, with a rounded flap, exactly one dull brass buckle and one oval cream repair patch low on its front. A plain canvas shoulder strap connects to the sides; a short top handle provides a handhold. The bag is lightly worn and carefully repaired. Its front details are physical fabric and hardware, with no logos, extra buckles, duplicate patches or ornamental distressing.\n\nVISIBLE SUBJECTS\nShow Aren and exactly one pale ceramic artist; no other people or machines.\n\nINITIAL PHOTOGRAPH\nThe artist hovers beside the gate before the adjustment; sand currently enters one basin and the adjacent basin receives no stream. Aren watches in partial profile with the bag at the hip. The pale desert recedes behind the outcrop in late sunlight.\n\nCOMPOSITION\n50 mm-equivalent human-height three-quarter view, showing both basins, artist and Aren. Late sunlight.\n\nNo subsequent action is depicted. Render no text.\n\nContinuity check for this corrected frame: transfer the woman aged about 35 in the SECOND reference, including her softly oval face, glasses, dark shoulder-length hair and natural female proportions. Show her in a readable three-quarter partial profile, watching quietly. Keep her complete head and the bag inside the picture, with space above her hair. Transfer the FIRST reference artwork with its widely separated unequal angular basins and far-left SHORT UPRIGHT screw. Keep its offset branching channels; do not return to paired round basins or a long screw pointing between them. The sand-routing gate remains in its initial position before the coming adjustment. Only one basin receives a fine dry granular fall.",
  "model": "gpt-image-2",
  "settings": {
    "size": "2560x1440",
    "quality": "high",
    "n": 1,
    "output_format": "png"
  },
  "record_path": "generated/production_01/requests/K09_attempt_02.json",
  "inputs": [
    {
      "slot": 1,
      "asset_id": "R10",
      "path": "generated/references/approved/R10_layout_v2.png",
      "role": "Desert sculptor and artwork design; transfer pale ceramic shell, dark seam, solar collector, screw, channels, two basins and routing gate. The scene text determines the gate state and whether Aren is present.",
      "sha256": "66fc30db0712ec0913d4c633b90bd4da58231203639f06405ae6feee80f7f3ce",
      "slug": "r10-attempt-03",
      "private": false,
      "matched_candidate_path": "generated/references/candidates/R10_attempt_03.png",
      "association_basis": "Recorded SHA256 matched actual candidate file bytes",
      "current_source_file_hash_matches_record": true
    },
    {
      "slot": 2,
      "asset_id": "R02",
      "path": "generated/references/approved/R02_casting_v2.png",
      "role": "Traveller identity and clothing; transfer face, shoulder-length dark-brown hair, rectangular dark teal-blue eyeglasses, body proportions, jacket, scarf, trousers and shoes. The image also establishes the bag design. Do not transfer the portrait pose or background.",
      "sha256": "61fdbda5a23b03b49323cef913710b362b742f0baf432791f88332aeead81570",
      "slug": "r02-attempt-05",
      "private": false,
      "matched_candidate_path": "generated/references/candidates/R02_attempt_05.png",
      "association_basis": "Recorded SHA256 matched actual candidate file bytes",
      "current_source_file_hash_matches_record": true
    }
  ],
  "selected_for": [
    {
      "job_id": "K09",
      "title": "The sand artist initial moment",
      "path": "generated/keyframes/approved/K09_casting_layout_v2.png",
      "status": "approved",
      "historical": false
    }
  ]
}