The first supplied image is the actual scene to edit. The second image is the corrected identity reference for Aren, a woman around 35. Replace ONLY Aren's visible face, hair and corresponding natural female proportions to match that second image, preserving her current pose, scale, clothing, expression and location. Keep every other person, their identities, the single faceless machine, architecture, sky, lighting and camera unchanged. Do not add or duplicate Aren. Preserve exactly six adults, one child and one machine. Do not bring the portrait bag into a scene where it is on the bench. 

The complete scene specification below governs continuity. This is a targeted edit; preserve the existing composition wherever compatible with the named corrections.

Create exactly one high-detail 16:9 landscape photograph of the initial moment described here. Depict one instant, without an action sequence, storyboard, split screen, motion trails, labels or diagrams. Preserve a natural cinematic composition with realistic materials and physically clear object placement.

Use photorealistic observational cinema, natural exposure and tactile material detail. Use rectilinear optics, soft highlight roll-off and very fine restrained grain. Preserve the difference between cool daylight, dry late sunlight and blue-black night; warm rooms have practical amber light. Give distant scenery atmospheric depth and keep foreground objects physically solid. People are comfortably dressed and absorbed in ordinary life. Architecture is personal and spacious. Avoid glossy resort advertising, decorative science-fiction clutter, excessive lens flare, fisheye distortion, posed glamour, captions, lettering, logos and borders.

This place occupies the inward-facing surface of a completed rotating space habitat: an open bracelet 3,000,000 kilometres in diameter, with a 6,000-kilometre-wide living strip and mostly transparent, sloped retaining walls 1,000 kilometres high at its lateral edges. A natural star far outside the bracelet provides daylight. The local landscape is almost flat, with extremely slight concavity along its length. Air, weather, water and vegetation are real. There is no roof, dome, central artificial sun, supporting spoke or planet inside the bracelet. Ordinary transport infrastructure is mostly concealed. Show no sky-band unless this composition explicitly asks for one.

Reedwater House stands on a low shelf beside a sheltered inlet. It is an asymmetrical two-storey home of weathered grey timber and pale stone, with two unequal dark-slate pitched roof sections. A tall narrow chimney stands on the right of its waterfront facade. One large kitchen window has a warm amber interior. A lower glazed dining wing adjoins the main building on its left and opens onto a stone terrace. A long timber dining table stands OUTSIDE on that terrace immediately in front of the open glazed doors. A plain wooden bag bench stands against the exterior wall just left of those doors. A forked, wind-bent tree stands farther left of the dining wing. From the water-facing approach, the house is in the right third and open water fills the centre and left. A short timber jetty projects diagonally from this shore toward the lower-left foreground. Beyond the open water lie two unequal headlands, a low hooked island between them and a distant ridge with one V-shaped notch. Keep the inlet physically continuous; the headlands and island do not surround the house as a decorative moat. Show only architectural features actually visible from the camera.

The household boat is one small dark-green open hull with a low grey-green gunwale and plain timber seating. Its movement is smooth and gentle without visible violent propulsion. Its current location is specified by the scene; never place a duplicate of this boat at the jetty.

Aren is a woman around 35 years old, with light skin, an oval face, dark brown eyes behind slim rectangular dark teal-blue eyeglasses, a slender straight nose, defined lips and a slim build. Their dark-brown hair falls to the shoulders, parted near the centre and worn loose with a slight natural wave. Their face has softly contoured cheeks, a gently tapered jaw and a rounded chin, with natural skin texture appropriate to a woman in her mid-thirties. Preserve this female casting and age consistently in every view; do not age Aren into middle age or substitute a male traveller. They wear a loose blue-grey linen jacket, a narrow muted rust-red scarf, charcoal trousers and dark flat walking shoes. Their appearance is relaxed and unposed, with realistic proportions. Keep the facial proportions, shoulder-length dark-brown hair and rectangular glasses consistent across camera angles. Hair has no contrasting temple streak. Do not mirror the person or add jewellery, uniform elements or a spacesuit.

Tavi is an adult with deep brown skin and silver hair in one long loose braid, wearing a moss-green overshirt and dark trousers. Their expression is warm and informal. They are a member of the household, dressed for an ordinary evening, without a uniform or ceremonial costume.

The gathering contains six adults in total, one school-age child and one machine citizen. Two adults are Aren and Tavi. The four additional adults wear, respectively, an ochre knitted top, a pale-indigo shirt, a muted plum jacket and a light-grey tunic. Keep those four faces small and unposed. The child has short dark curls and a muted teal top. The machine citizen is a small silver-grey lens-shaped body about 30 centimetres long, hovering at conversational height beside an open place. It has a smooth unmarked shell, no face or rotors, and attends to the conversation without carrying food or luggage. Comfortable chairs and mismatched stoneware convey a shared household rather than commercial hospitality.

There is exactly one compact rust-coloured canvas shoulder bag, with a rounded flap, exactly one dull brass buckle and one oval cream repair patch low on its front. A plain canvas shoulder strap connects to the sides; a short top handle provides a handhold. The bag is lightly worn and carefully repaired. Its front details are physical fabric and hardware, with no logos, extra buckles, duplicate patches or ornamental distressing.

This camera is level, unrolled and aimed approximately anti-spinward along the ring circumference, close to the strip's mid-width plane. In this rectilinear view the centreline of the distant illuminated habitat projects nearly vertically in the sky, rising from the distant notched-ridge direction near the middle of the frame and continuing out of the top edge. The zenith lies outside this landscape image. Show an extremely narrow silver-blue ribbon that tapers with distance, with lower sections lost in haze and nearer cloud occluding it. It belongs to the continuous ground-bearing ring under the observer. There is no separate hoop above a planet. Do not resolve continents or buildings in the sky-band. Do not draw a rainbow arch, horizontal Saturn-like belt, wide road across the sky, glowing portal, artificial sun or supporting spokes. Preserve believable night exposure; the house light remains more prominent than the ribbon.

VISIBLE SUBJECTS
Six adults total including Aren and Tavi, one child and one silver-grey machine, small within the landscape.

INITIAL PHOTOGRAPH
Aren is already seated among the household at the outdoor table. A bowl is supported between two diners' hands at the beginning of a small pass. The bag rests on the exterior bench, one green boat is moored left of the jetty, and the thin remote ribbon lies in the blue-black sky above the notched-ridge direction.

COMPOSITION
28 mm-equivalent level human-height view near outer jetty, anti-spinward. House right, inlet centre-left, faint vertical sky ribbon.

No subsequent action is depicted. Render no text.