This request includes exactly 3 design-reference images. Each image has a restricted role. Use the stated image content only for that role. Create a new composition from the complete scene description; do not reproduce the reference viewpoint or time of day unless the scene independently specifies it.

The first supplied image shows reedwater household and exterior table. Household ensemble and exterior terrace arrangement; transfer outdoor table position, bench left of doors, clothing distribution, silver-grey machine and the facial identities depicted in the image. Do not copy all diners into tighter scenes or duplicate Aren. Scene text controls whether Aren is standing, seated or out of view.

The second supplied image shows aren with repaired bag. Traveller identity and clothing; transfer face, shoulder-length dark-brown hair, rectangular dark teal-blue eyeglasses, body proportions, jacket, scarf, trousers and shoes. The image also establishes the bag design. Do not transfer the portrait pose or background.

The third supplied image shows tavi. Host identity and clothing; transfer deep-brown skin, facial identity, single silver braid, moss-green overshirt and proportions. Do not transfer this portrait lighting or room layout into a different shot.

The text specifies current object locations, visible people, lighting and camera. The image references specify identity, design and material within those instructions. Do not introduce objects or people merely because they appear in a reference.

Create exactly one high-detail 16:9 landscape photograph of the initial moment described here. Depict one instant, without an action sequence, storyboard, split screen, motion trails, labels or diagrams. Preserve a natural cinematic composition with realistic materials and physically clear object placement.

Use photorealistic observational cinema, natural exposure and tactile material detail. Use rectilinear optics, soft highlight roll-off and very fine restrained grain. Preserve the difference between cool daylight, dry late sunlight and blue-black night; warm rooms have practical amber light. Give distant scenery atmospheric depth and keep foreground objects physically solid. People are comfortably dressed and absorbed in ordinary life. Architecture is personal and spacious. Avoid glossy resort advertising, decorative science-fiction clutter, excessive lens flare, fisheye distortion, posed glamour, captions, lettering, logos and borders.

This place occupies the inward-facing surface of a completed rotating space habitat: an open bracelet 3,000,000 kilometres in diameter, with a 6,000-kilometre-wide living strip and mostly transparent, sloped retaining walls 1,000 kilometres high at its lateral edges. A natural star far outside the bracelet provides daylight. The local landscape is almost flat, with extremely slight concavity along its length. Air, weather, water and vegetation are real. There is no roof, dome, central artificial sun, supporting spoke or planet inside the bracelet. Ordinary transport infrastructure is mostly concealed. Show no sky-band unless this composition explicitly asks for one.

The waterfront house has weathered grey timber, pale stone and an open lower glazed dining wing. The long household table is outside on a stone terrace immediately in front of the open doors. A plain wooden bag bench is against the exterior wall just left of the doors. Warm light comes through one large kitchen window and the glazed wing, meeting cooler night light on the stone. The room visible through the doors contains books and mismatched ceramics. The table and bench are separate pieces of furniture, and the table is not inside the kitchen.

Aren is an adult with light skin, an oval face, dark brown eyes behind slim rectangular dark teal-blue eyeglasses, a slender straight nose, defined lips and a slim build. Their dark-brown hair falls to the shoulders, parted near the centre and worn loose with a slight natural wave. Their facial features and natural proportions are specific and understated. They wear a loose blue-grey linen jacket, a narrow muted rust-red scarf, charcoal trousers and dark flat walking shoes. Their appearance is relaxed and unposed, with realistic proportions. Keep the facial proportions, shoulder-length dark-brown hair and rectangular glasses consistent across camera angles. Hair has no contrasting temple streak. Do not mirror the person or add jewellery, uniform elements or a spacesuit.

Tavi is an adult with deep brown skin and silver hair in one long loose braid, wearing a moss-green overshirt and dark trousers. Their expression is warm and informal. They are a member of the household, dressed for an ordinary evening, without a uniform or ceremonial costume.

The gathering contains six adults in total, one school-age child and one machine citizen. Two adults are Aren and Tavi. The four additional adults wear, respectively, an ochre knitted top, a pale-indigo shirt, a muted plum jacket and a light-grey tunic. Keep those four faces small and unposed. The child has short dark curls and a muted teal top. The machine citizen is a small silver-grey lens-shaped body about 30 centimetres long, hovering at conversational height beside an open place. It has a smooth unmarked shell, no face or rotors, and attends to the conversation without carrying food or luggage. Comfortable chairs and mismatched stoneware convey a shared household rather than commercial hospitality.

There is exactly one compact rust-coloured canvas shoulder bag, with a rounded flap, exactly one dull brass buckle and one oval cream repair patch low on its front. A plain canvas shoulder strap connects to the sides; a short top handle provides a handhold. The bag is lightly worn and carefully repaired. Its front details are physical fabric and hardware, with no logos, extra buckles, duplicate patches or ornamental distressing.

VISIBLE SUBJECTS
Six adults total including Aren and Tavi, one child and one silver-grey machine; people may be partially occluded by the natural composition.

INITIAL PHOTOGRAPH
Tavi holds a bowl just above the outdoor table before setting it down; their head is turned toward the bowl. Aren stands in partial back view at the left edge of the open doorway. Other diners and the small silver-grey machine remain occupied with one another.

COMPOSITION
50 mm-equivalent from just inside glazed doors toward the outside table. Aren at left edge; Tavi beside table. No sky.

No subsequent action is depicted. Render no text.